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History

Built in 1926 as one of America's most elaborate "movie palaces", the Tampa Theatre today is a fiercely protected and generously supported landmark. Designed by famed theatre architect John Eberson, the Tampa is a superior example of the "atmospheric" style of theatre design. Inside the Tampa, audiences are transported to a lavish, romantic Mediterranean courtyard replete with old world statuary, flowers, and gargoyles. Over it all is a nighttime sky replete with twinkling stars and floating clouds.

Like other new movie palaces around the country, the Tampa Theatre was enormously popular. For the first time in history, the common person had access to opulence on a scale never before imagined. For 10 cents, they could escape into a fantasy land for two hours, see first class entertainment, and be treated like royalty by uniformed platoons of ushers and attendants. By the end of the 1920's, over 90 million Americans were going to the movies every week.

For several decades, the Tampa remained a jewel and the centerpiece of Tampa 's cultural landscape. People grew up, stole their first kisses in the balcony, followed the weekly newsreels, and celebrated life week after week by coming back to the Tampa .

But by the 1960's and 70's, times had changed. America 's flight to suburbs was having a damaging effect on downtown business districts across the country. Hardest hit were the downtown movie palaces which dotted

America's urban landscapes. Audiences dwindled and costs rose. Many of our nation's finest movie palaces were quickly demolished before anyone noticed because the land beneath them became more valuable than the theatre operation.

In 1973, the Tampa Theatre faced the same fate. But in Tampa citizens rallied. Committees were formed. City leaders became involved, and soon a deal was reached to have the City rescue the Tampa by assuming its leases. The Arts Council of Hillsborough County agreed to program and manage the Tampa with films, concerts and special events. By the time the Theatre reopened in early 1978, the Tampa had become something of a national model on how to save an endangered theatre.

Today, Tampa Theatre is a remarkable success story, presenting and hosting over 600 events a year. With a full schedule of first run and classic films, concerts, special events, corporate events and tours, the theatre is one of the most heavily utilized venues of its kind in the United States.

Since its reopening, over 2 million guests have enjoyed film events, over 800,000 have attended concerts, and over 700,000 elementary children have enjoyed professional touring theatre productions in the context of one of Tampa 's largest historic preservation projects.

Private support is critical to the Theatre's continued success and service to the community. In spite of its successes, the Theatre only earns about 65 % of its annual operating budget through earned income. The non-profit Tampa Theatre Foundation helps to make up difference by through memberships, special fundraising events, sponsorships and planned giving programs.

Tampa Theatre was named to the National Register of Historic Places in 1978, is a Tampa City Landmark, and is a member of the League of Historic American Theatres.

Tampa Theatre Architect John Eberson
Tampa Theatre was created by architectural designer John Eberson, one of the most prolific and internationally renowned movie palace designers of his time. His movie palaces are in Miami; New York; Chicago; Canton, Ohio; Houston and Austin, Texas; Paris, France; Sydney, Australia and many other cities.  Eberson was born in Romania, attended The University of Vienna in 1893, and settled in St. Louis, Missouri. While his early theater commissions could be characterized as traditional, by the mid-1910s Eberson had clearly forged a new direction with the Dallas Majestic Theatre (1917). His first truly atmospheric theater was the Houston Majestic (1923).

John Eberson tells how Florida inspired his atmospheric theatre design:
"I have been wintering in Florida for the past several years, and it is from this state that I got the atmospheric idea.  I was impressed with the colorful scenes that greeted me at Miami, Palm Beach and Tampa. Visions of Italian gardens, Spanish patios, Persian shrines and French formal gardens flashed through my mind, and at once I directed my energies to carrying out these ideas."  -The Tampa Tribune, October 15, 1926